![]() |
This Publisher's Column shall feature developments
related to Filipino literature. Each monthly update also shall include
a featured poet and poem. For comments and suggestions, please e-mail
Meritage Press Associate Editor Jade Afable at Jade@meritagepress.com This month's featured poet is Leny M. Strobel who is one of the writers in the new anthology of Filipina writers, GOING HOME TO A LANDSCAPE: WRITINGS BY FILIPINAS (Eds. Virginia Cerenio and Marianne Villanueva, Calyx, 2003). Here is Leny's yummy poem: THE POWER OF ADOBO Garlic, lots of garlic Garlic is for adobo Keep the lid off and let the flavors That nurtures your roots Of hungry ghosts who Adobo is of the hand-made life
SUBMISSION CALL 2003 BEST FILIPINO AMERICAN POETRY Deadline: December 31, 2003 "the story of the collective, This is a Call to Filipino Poets who would like to have their 2003-published poems considered for this groundbreaking volume. Submissions should feature the poem(s) and the name and date of journal(s) that published the poem(s). Please submit no more than five (5) published poems as candidates for this volume (it is highly unlikely that more than one poem per poet would be chosen). By 2003, we mean the calendar year 2003. You can submit poems ahead of the journals' release dates, as long as you know that the journal will be out by the end of the calendar 2003. You can submit in two ways: by e-mail to PinoyPoetics@aol.com or by snailmail to Eileen Tabios Please note that, unless you happen to be an acquaintance of Eileen Tabios, she will not open any attachments to your e-mailed submission (due to virus concerns). If your poems have special formatting issues or would not otherwise show up clearly by being placed within the body of the e-mail, it's best that you snailmail your submission. In addition to print publications, certain online journals are eligible; some examples are in the 2002 BEST AMERICAN POETRY issue, guest-edited by Robert Creeley, which includes poems first published in online journals -- versus, say, those set up by your mother (loving though your mother may be) or websites that do self-publication. Also eligible are poems first published in books that are released by (non-vanity) publishing houses. This is a volume of "Filipino American" poetry -- for this purpose, prior print publications will need to be U.S.-American, which means Filipinos living outside the United States are eligible if their poems were published in U.S.-American journals. The online journals obviously transcend the limits of physical geography; thus, for this purpose, eligible authors are required to be Filipino-American authors. No Filipino-American poet has ever appeared in the BEST AMERICAN POETRY (BAP) series. However, a poem by Joseph O. Legaspi, entitled "Visiting the Manongs in a Convalescent Home in Delano" had been accepted by guest editor Adrienne Rich for the 1996 BAP volume. For a variety of reasons, that poem was not included in the printed version of 1996 BAP. To rectify this unfortunate omission, Legaspi's poem will be featured within the Introduction to this upcoming BEST FILIPINO AMERICAN POETRY (BFAP) anthology. This 2003 BEST FILIPINO AMERICAN POETRY is expected to be released concurrently with the PINOYPOETICS anthology, edited by Nick Carbo, in Fall 2004. It is expected that BFAP, by providing a snapshot of recent Filipino poetry, will facilitate, when combined with PINOYPOETICS , a more comprehensive look at Filipino Poetry. BFAP also provides another venue for Filipino poets to share their works since PINOYPOETICS is, foremost, a collection of poetics essays rather than a collection of poems. What PINOYPOETICS and BFAP share in common is a redress of the invisibility of Filipino English-language poetry that caused Nick Carbo to write in his introduction to PINOYPOETICS : "Filipino poetry written in English or Tagalog does not seem to exist to the big New York publishing houses and most American English departments." Well, why need Filipinos wait for others to recognize our existence? We already exist. Our poetry already exists. Let us be the ones to make our poems more accessible. Please join us in this project through submissions, spreading the word, and future support. For questions, e-mail BFAP Editor Eileen Tabios at PinoyPoetics@aol.com Meanwhile, here is an excerpt from "Visiting the Manongs in a Convalescent Home in Delano" by Joseph O. Legaspi, a poem accepted for but not printed in the 1996 BEST AMERICAN POETRY anthology; isn't it interesting how this, too, is a poem about invisibility? Santa Maria. Barstow. Salinas. Looking at the east, shunned by the west,
HOUSE READING SERIES Barry Schwabsky and Eileen Tabios at the residence of kari edwards at 7 p.m., Sunday, October 26, 2003 Free admission; open to Public. Accessible by Bart, Muni and major Bus Routes.... ***** Barry Schwabsky is the author of OPERA: Poems 1981-2002 (Meritage Press, 2003); info at http://meritagepress.com/opera.htm . Eileen Tabios is the author of Reproductions of the Empty Flagpole (Marsh Hawk Press, 2002; info at http://marshhawkpress.org/tabios.htm .
Congratulations to Vince Gotera who just released a new poetry chapbook, Ghost Wars . Information is available at his publisher's website at: http://www.geocities.com/finalthursdaypress/ Here is a sample poem from Vince: SNIPER, 2002 by Vince Gotera
I become a god when I squeeze it off. I don't know what it was I wanted to be a child again, to squash lines
of ants.
I do? I do. I don't care what you think. I am. I am. I am. I have been a god before. In the Gulf War, I will tell you my dream. Last night I walk in the valley of shadows, I see you. I see you. I squeeze off another round.
If you want to see a unique project, go to Eileen Tabios' Poem Blog, GASPS, that features her poetic series "Footnotes to the History of Fallen Angels." This series is comprised of 100 poems written over 15 days, mostly along what she calls "first draft, last draft" mode. The site address is http://loveslastgasps.blogspot.com . Here is a sample poem: 85. was stoned to death. But I will soar for the man then crooned at the page Dimidium animae meae…
|
|||||||||||||||||